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Entertainment Market ResearchCase 08 of 10Illustrative engagement

Segmenting audiences for live comedy and theatre

A live entertainment venue

  • RegionBengaluru
  • Scope1,000 attendees
  • Timeline5 weeks
  • MarketsIndia
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Illustrative engagement. A representative scenario showing how we approach this kind of work in entertainment. It does not describe a specific client; outcomes are described qualitatively.

01

Industry overview

What is shaping entertainment

Live events, theme parks and entertainment brands sell experiences. Ticketing, crowd experience and sponsor value decide whether people come back.

  • Ticket pricing and booking ease affect attendance
  • On-site experience drives repeat visits
  • Sponsors expect audience evidence
02

Client background

A live entertainment venue, working in Bengaluru. This is an illustrative engagement: a representative scenario showing how we approach this kind of work, not a named client project.

Organisation
A live entertainment venue
Sector
Entertainment
Team engaged
Market Research
Services
Quantitative research, Data analytics & dashboards
03

Client challenge

The venue promoted every show the same way and struggled to fill some genres.

04

Research objectives

  • Deliver on the brief: segmenting audiences for live comedy and theatre.
  • Understand the views, needs and behaviour of attendees.
  • Produce results that can be compared across groups and locations.
  • Give the client evidence it can act on within 5 weeks.
05

Target audience

The work focused on 1,000 attendees.

  • attendees1,000

Audiences we typically reach in entertainment

Event-goersTheme-park visitorsTicket buyersSponsorsFamilies

06

Geographic coverage

Coverage: Bengaluru. Market: India.

  • India
07

Research methodology

A structured quantitative design, so results could be compared across groups, locations and time.

  1. 1Brief
  2. 2Booking data analysis
  3. 3Audience survey
  4. 4Insight

We analysed booking patterns and surveyed attendees about tastes, discovery and frequency, then grouped them into segments.

Quantitative researchData analytics & dashboards

08

Sampling strategy

attendees
1,000
  • The sample was designed with the client around the decision to be made, with quotas to keep key groups readable.
09

Data collection

Brief & design Sampling & set-up Fieldwork Analysis Reporting Indicative split of the 5-week timeline.
  • Data was collected with the methods listed below, managed by a dedicated project team.
10

Data quality & validation

  • Logic and range checks on the final data
  • Work carried out under our ISO 20252 quality procedures
11

Data analysis

  • Cross-tabulation by key groups and locations
  • Significance testing on the differences that mattered
  • Interactive dashboard for ongoing tracking
12

Key findings

  • Distinct segments emerged for comedy, theatre and music, with different discovery channels.
Different shows need different invitations.
13

Recommendations

  • Build on the core insight: different shows need different invitations.
  • Focus effort where the evidence was strongest: distinct segments emerged for comedy, theatre and music, with different discovery channels.
  • Re-measure after the changes to confirm the effect.
14

Business impact

  • Promotion was tailored by segment.

What changed in the business as a result of the work. Impact is described qualitatively.

15

Deliverables & next steps

  • Insight report and management presentation
  • Cleaned data file and data tables
  • Interactive dashboard
  • Repeat the measure after changes are in place to track progress.
  • A natural follow-on question: what value did sponsors get?

More entertainment case studies

  1. 01caseMapping the guest journey at a theme parkA theme and water park operator
  2. 02caseUnderstanding how fans buy concert ticketsA live events promoter
  3. 03caseMeasuring sponsor visibility at a large eventAn event management company
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